{"id":3231,"date":"2026-06-22T12:27:08","date_gmt":"2026-06-22T10:27:08","guid":{"rendered":"https:\/\/www.classe1935.com\/when-the-surface-stops-being-a-finish-and-becomes-space\/"},"modified":"2026-06-25T16:57:02","modified_gmt":"2026-06-25T14:57:02","slug":"when-the-surface-stops-being-a-finish-and-becomes-space","status":"publish","type":"post","link":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/","title":{"rendered":"When the surface stops being a finish and becomes space"},"content":{"rendered":"<p><em>TADELAKT: Where matter becomes architecture. The evolution of contemporary mineral surfaces in high-end architecture according to Giuseppe Vitrani. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">A profound shift is taking place in contemporary architecture: the value of a material is no longer tied to its decorative function, but to its ability to create atmosphere.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We no longer just design surfaces.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Perceptions are designed.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this context, Tadelakt represents one of the most advanced expressions of the traditional mineral material, today reinterpreted through advanced systems such as the<\/span> <strong>MicroCalce<\/strong> <span style=\"font-weight: 400;\"><strong>System CLASSE1935\u00ae<\/strong> which amplify its application possibilities without betraying its identity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The growing interest among international architects and interior designers stems not from an aesthetic trend, but from a specific need: to eliminate visual fragmentation and restore continuity to space.<\/span><\/p>\n<ol start=\"2\">\n<li>\n<h2><b>  What Tadelakt Really Is &#8211; Beyond the Decorative Definition<\/b><\/h2>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Tadelakt is a continuous mineral finish based on natural lime which, through a controlled process of:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">mechanical compaction<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">stone polishing<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">alkaline saponification<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">It transforms into a compact, water-resistant and joint-free surface.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Its fundamental characteristic is not aesthetic, but<\/span> <b>transformative<\/b> <span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Unlike industrial waterproofing systems, Tadelakt does not create a surface barrier.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">It changes the very structure of the lime.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">During carbonation:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">the lime gradually returns to a stone-like state<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">the pores are closed through pressure and manual processing<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">the surface acquires water repellency through a natural chemical reaction with olive oil-based soaps (Black Soap)<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">The result is a surface:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">continues<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">material<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">artificially non-reflective<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">sensorially \u201calive\u201d<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">This is not a coating.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">This is a mineral skin.<\/span><\/p>\n<ol start=\"3\">\n<li>\n<h2><b> Technical Analysis \u2013 Chemistry and Physics of Materials<\/b><\/h2>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">The behavior of Tadelakt depends on three fundamental factors:<\/span><\/p>\n<ol>\n<li>\n<h3><b>  Carbonation reaction<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Lime (Ca(OH)\u2082) reacts with carbon dioxide (CO\u2082) to form calcium carbonate (CaCO\u2083), which forms the final structure of the material.<\/span><\/p>\n<ol start=\"2\">\n<li>\n<h3><b>  Surface compaction<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">The pressure exerted in the plastic phase reduces the surface porosity, increasing the density of the material.<\/span><\/p>\n<ol start=\"3\">\n<li>\n<h3><b>  Saponification<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">The alkaline soap treatment generates a controlled hydrophobic transformation of the surface, without interrupting the breathability of the system.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The final result is a surface that maintains:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">hygrometric breathability<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">resistance to liquid water<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">aesthetic stability over time<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">This combination is extremely rare in the panorama of contemporary building materials.<\/span><\/p>\n<ol start=\"4\">\n<li>\n<h2><b>  Architectural Applications &#8211; Where Tadelakt Finds Its Role Today<\/b><\/h2>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">In contemporary design, Tadelakt is used when the goal is not to cover, but to unify the space.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Key applications include:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">luxury bathrooms and walk-in showers<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">spas and wellness environments<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">high-end hospitality<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">continuous wall\/floor surfaces<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">sinks and integrated volumes<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">fireplaces and sculptural elements<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">single-material interiors<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Its architectural value lies in its ability to eliminate visual discontinuity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The leaks disappear.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The joints dissolve.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The surface becomes continuous space.<\/span><\/p>\n<ol start=\"5\">\n<li>\n<h3><b>  Common mistakes and technical misunderstandings<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">In the decorative finishing market, Tadelakt is often simplified or improperly imitated.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The most common errors include:<\/span><\/p>\n<ol>\n<li>\n<h3><b>  Confusing decorative textures with Tadelakt<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Not every polished lime-based finish is Tadelakt.<\/span><\/p>\n<ol start=\"2\">\n<li>\n<h3><b>  Underestimating the application process<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">The result does not depend on the product, but on the dynamic control of the material.<\/span><\/p>\n<ol start=\"3\">\n<li>\n<h3><b>  Using incompatible media<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Non-absorbent or unstable surfaces completely compromise the system.<\/span><\/p>\n<ol start=\"4\">\n<li>\n<h3><b>  Eliminate the saponification phase<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Without a final chemical reaction, you don&#8217;t get real water repellency.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tadelakt is not an \u201capplicable\u201d material.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">It&#8217;s a processing system.<\/span><\/p>\n<ol start=\"6\">\n<li>\n<h3><b>  Advanced Tips &#8211; Technical Reading of the Subject<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">To achieve high performance it is essential to consider:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">control of environmental humidity during application<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">correct plastic window of the material<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">business continuity without interruptions<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">progressive pressure in the pore closing phase<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">managing the maturation of the lime in the first few days<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">A timing error completely changes the final behavior of the surface.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the professional field, Tadelakt is not \u201cexecuted\u201d: it is interpreted.<\/span><\/p>\n<ol start=\"7\">\n<li>\n<h3> <b>MicroCalce System CLASSE1935<\/b> <span style=\"font-weight: 400;\">\u00ae<\/span> <b>&#8211; The contemporary evolution of mineral continuity<\/b><\/h3>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Traditional Tadelakt was created for vertical surfaces and specific contexts.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Contemporary architecture, on the other hand, requires a continuous language between:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">flooring<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">wall<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">integrated furniture<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">humid environments<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">complex architectural volumes<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">MicroCalce System CLASSE1935\u00ae was born as an evolution of this need.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It does not replace Tadelakt.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">It expands its field of application.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The system introduces a mineral continuity designed to:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">complete wellness environments<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">integrated horizontal and vertical surfaces<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">seamless bathrooms<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">high-intensity residential and hospitality spaces<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Through technical cycles compatible with lime and low environmental impact protective agents, the system allows you to maintain:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">mineral aesthetic depth and material continuity<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">The result is a surface that retains its artisanal identity but responds to the needs of contemporary architecture, through the integration of advanced protective cycles based on<\/span> <b>water-based acrylic-silane and polyurethane resins<\/b> <span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These systems do not act as a \u201ccovering\u201d in the traditional sense of the term, but as a<\/span> <b>technical modulation of the mineral surface<\/b> <span style=\"font-weight: 400;\">, designed to interact with the lime without altering its nature.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Acrysilane resins, thanks to their hybrid structure between the organic phase and the silane component, ensure high compatibility with mineral substrates and help improve surface cohesion while maintaining a high degree of breathability. This allows the material to continue its natural hygrometric process, preventing moisture trapping or alterations to the internal microstructure. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Water-based polyurethane resins, on the other hand, intervene in the finishing phase to enhance<\/span> <b>mechanical and chemical performance<\/b> <span style=\"font-weight: 400;\">, improving resistance to abrasion, cleaning, and the stress typical of high-stress environments such as bathrooms, spas, and horizontal surfaces. Their aqueous dispersion formulation drastically reduces environmental impact compared to solvent-based systems, while maintaining high film-forming stability and controlled surface protection.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The fundamental aspect, in a system like the CLASSE1935\u00ae MicroCalce System, is not the simple sum of the materials, but their<\/span> <b>stratigraphic synergy<\/b> <span style=\"font-weight: 400;\">: the lime constitutes the living mineral matrix, while the silane-acrylic and polyurethane-based cycles regulate its surface behaviour according to the design requirements.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This balance represents the true evolution of contemporary Tadelakt: a surface that retains its material and artisanal origins, but acquires a new technical intelligence, capable of meeting the requirements of modern architecture in terms of durability, aesthetic continuity, and functional performance.<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol start=\"8\">\n<li>\n<h2><b> The New Language of Luxury \u2013 Continuity Rather Than Decoration<\/b><\/h2>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">In contemporary design, the concept of luxury has shifted:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">to \u201cadd aesthetic value\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">to \u201creduce visual interference\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Continuous surfaces become central because:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">eliminate fragmentation<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">they amplify natural light<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">reduce visual noise<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">increase spatial perception<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Both Classic Tadelakt and advanced systems such as the CLASSE1935\u00ae MicroCalce System fit perfectly in this direction.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">They don&#8217;t decorate the space.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">They unify it.<\/span><\/p>\n<ol start=\"9\">\n<li>\n<h2><b> Technical Complexity \u2013 Why It Is Not Suitable for Industrial Production<\/b><\/h2>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">One of the most relevant aspects of Tadelakt is its controlled variability.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Each application depends on:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">ambient temperature<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">support absorption<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">processing time<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">hygrometric state of the lime<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">pressure applied in the plastic phase<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">This variability is not a defect.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">It&#8217;s its technical nature.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is also the reason why Tadelakt cannot be completely standardized as an industrial material.<\/span><\/p>\n<ol start=\"10\">\n<li>\n<h2><b> Substrates and Stratigraphy \u2013 The Invisible Foundation of the Final Result<\/b><\/h2>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">A high-end mineral surface depends crucially on the substrate.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A correct system requires:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">structural stability<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">mineral compatibility<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">correct absorbency<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">absence of differential movements<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Unsuitable substrates must be prepared with intermediate mineral systems, in order to ensure continuity and adhesion.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The quality of the final result is determined even before the finishing.<\/span><\/p>\n<ol start=\"11\">\n<li>\n<h2><b>  Mineral Waterproofing &#8211; The Role of Black Soap<\/b><\/h2>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">The water resistance of Tadelakt does not derive from synthetic membranes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It derives from a controlled chemical transformation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Black Soap, applied in the final phase, reacts with the lime generating:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">reduction of surface porosity<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">increased hydrophobicity<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">maintaining breathability<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">The material breathes, but does not absorb liquid water.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is one of the most distinctive features of the system.<\/span><\/p>\n<ol start=\"12\">\n<li>\n<h2><b>  Conclusion &#8211; When matter becomes architecture<\/b><\/h2>\n<\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Tadelakt is not a finish in the traditional sense of the term.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It&#8217;s a process.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It is the result of an interaction between:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">matter<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">time<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">human gesture<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">technical knowledge<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Its strength lies not in industrial perfection, but in the living continuity of the surface.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Advanced systems like MicroCalce System CLASSE1935\u00ae demonstrate that this tradition is not static: it can be reinterpreted to meet the needs of contemporary architecture without losing its identity.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the language of high-end design, the real change is no longer aesthetic.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It&#8217;s perceptive.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And in this respect, Tadelakt is not simply a material.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It&#8217;s a way of building atmosphere.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Giuseppe Vitrani, Business Owner CLASSE1935\u00ae<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>TADELAKT: Where matter becomes architecture. The evolution of contemporary mineral surfaces in high-end architecture according to Giuseppe Vitrani. &nbsp; A profound shift is taking place in contemporary architecture: the value of a material is no longer tied to its decorative function, but to its ability to create atmosphere. We no longer just design surfaces. Perceptions [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3415,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[305],"tags":[800,801,799],"class_list":["post-3231","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-trends","tag-mineral","tag-paints","tag-surfaces"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>When the surface stops being a finish and becomes space<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"When the surface stops being a finish and becomes space\" \/>\n<meta property=\"og:description\" content=\"TADELAKT: Where matter becomes architecture. The evolution of contemporary mineral surfaces in high-end architecture according to Giuseppe Vitrani. &nbsp; A profound shift is taking place in contemporary architecture: the value of a material is no longer tied to its decorative function, but to its ability to create atmosphere. We no longer just design surfaces. Perceptions [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/\" \/>\n<meta property=\"og:site_name\" content=\"Classe 1935\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-22T10:27:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-25T14:57:02+00:00\" \/>\n<meta name=\"author\" content=\"Classe1935\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Classe1935\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/\"},\"author\":{\"name\":\"Classe1935\",\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/#\\\/schema\\\/person\\\/424bfbba725e0e603b5b49bf49e694b3\"},\"headline\":\"When the surface stops being a finish and becomes space\",\"datePublished\":\"2026-06-22T10:27:08+00:00\",\"dateModified\":\"2026-06-25T14:57:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/\"},\"wordCount\":1359,\"publisher\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.classe1935.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/Tadelakt.webp\",\"keywords\":[\"mineral\",\"paints\",\"surfaces\"],\"articleSection\":[\"Trends\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/\",\"url\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/\",\"name\":\"When the surface stops being a finish and becomes space\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.classe1935.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/Tadelakt.webp\",\"datePublished\":\"2026-06-22T10:27:08+00:00\",\"dateModified\":\"2026-06-25T14:57:02+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.classe1935.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/Tadelakt.webp\",\"contentUrl\":\"https:\\\/\\\/www.classe1935.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/Tadelakt.webp\",\"width\":1337,\"height\":885,\"caption\":\"TADELAKT: Dove la materia diventa architettura\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/when-the-surface-stops-being-a-finish-and-becomes-space\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/decorative-paints-made-in-italy\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"When the surface stops being a finish and becomes space\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/\",\"name\":\"Classe 1935\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/#organization\",\"name\":\"Classe 1935 di Giuseppe Vitrani\",\"url\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.classe1935.com\\\/wp-content\\\/uploads\\\/2022\\\/06\\\/logo_classe_1935_nero.png\",\"contentUrl\":\"https:\\\/\\\/www.classe1935.com\\\/wp-content\\\/uploads\\\/2022\\\/06\\\/logo_classe_1935_nero.png\",\"width\":1200,\"height\":185,\"caption\":\"Classe 1935 di Giuseppe Vitrani\"},\"image\":{\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.classe1935.com\\\/en\\\/#\\\/schema\\\/person\\\/424bfbba725e0e603b5b49bf49e694b3\",\"name\":\"Classe1935\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/348c293fbf1a0a36ce8ed7d23c450ee853ffd5ca65eb41e02fecd313fc6b39ab?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/348c293fbf1a0a36ce8ed7d23c450ee853ffd5ca65eb41e02fecd313fc6b39ab?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/348c293fbf1a0a36ce8ed7d23c450ee853ffd5ca65eb41e02fecd313fc6b39ab?s=96&d=mm&r=g\",\"caption\":\"Classe1935\"},\"sameAs\":[\"https:\\\/\\\/classe1935.com\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"When the surface stops being a finish and becomes space","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/","og_locale":"en_US","og_type":"article","og_title":"When the surface stops being a finish and becomes space","og_description":"TADELAKT: Where matter becomes architecture. The evolution of contemporary mineral surfaces in high-end architecture according to Giuseppe Vitrani. &nbsp; A profound shift is taking place in contemporary architecture: the value of a material is no longer tied to its decorative function, but to its ability to create atmosphere. We no longer just design surfaces. Perceptions [&hellip;]","og_url":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/","og_site_name":"Classe 1935","article_published_time":"2026-06-22T10:27:08+00:00","article_modified_time":"2026-06-25T14:57:02+00:00","author":"Classe1935","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Classe1935","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/#article","isPartOf":{"@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/"},"author":{"name":"Classe1935","@id":"https:\/\/www.classe1935.com\/en\/#\/schema\/person\/424bfbba725e0e603b5b49bf49e694b3"},"headline":"When the surface stops being a finish and becomes space","datePublished":"2026-06-22T10:27:08+00:00","dateModified":"2026-06-25T14:57:02+00:00","mainEntityOfPage":{"@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/"},"wordCount":1359,"publisher":{"@id":"https:\/\/www.classe1935.com\/en\/#organization"},"image":{"@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/#primaryimage"},"thumbnailUrl":"https:\/\/www.classe1935.com\/wp-content\/uploads\/2026\/06\/Tadelakt.webp","keywords":["mineral","paints","surfaces"],"articleSection":["Trends"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/","url":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/","name":"When the surface stops being a finish and becomes space","isPartOf":{"@id":"https:\/\/www.classe1935.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/#primaryimage"},"image":{"@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/#primaryimage"},"thumbnailUrl":"https:\/\/www.classe1935.com\/wp-content\/uploads\/2026\/06\/Tadelakt.webp","datePublished":"2026-06-22T10:27:08+00:00","dateModified":"2026-06-25T14:57:02+00:00","breadcrumb":{"@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/#primaryimage","url":"https:\/\/www.classe1935.com\/wp-content\/uploads\/2026\/06\/Tadelakt.webp","contentUrl":"https:\/\/www.classe1935.com\/wp-content\/uploads\/2026\/06\/Tadelakt.webp","width":1337,"height":885,"caption":"TADELAKT: Dove la materia diventa architettura"},{"@type":"BreadcrumbList","@id":"https:\/\/www.classe1935.com\/en\/when-the-surface-stops-being-a-finish-and-becomes-space\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.classe1935.com\/en\/decorative-paints-made-in-italy\/"},{"@type":"ListItem","position":2,"name":"When the surface stops being a finish and becomes space"}]},{"@type":"WebSite","@id":"https:\/\/www.classe1935.com\/en\/#website","url":"https:\/\/www.classe1935.com\/en\/","name":"Classe 1935","description":"","publisher":{"@id":"https:\/\/www.classe1935.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.classe1935.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.classe1935.com\/en\/#organization","name":"Classe 1935 di Giuseppe Vitrani","url":"https:\/\/www.classe1935.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.classe1935.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.classe1935.com\/wp-content\/uploads\/2022\/06\/logo_classe_1935_nero.png","contentUrl":"https:\/\/www.classe1935.com\/wp-content\/uploads\/2022\/06\/logo_classe_1935_nero.png","width":1200,"height":185,"caption":"Classe 1935 di Giuseppe Vitrani"},"image":{"@id":"https:\/\/www.classe1935.com\/en\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.classe1935.com\/en\/#\/schema\/person\/424bfbba725e0e603b5b49bf49e694b3","name":"Classe1935","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/348c293fbf1a0a36ce8ed7d23c450ee853ffd5ca65eb41e02fecd313fc6b39ab?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/348c293fbf1a0a36ce8ed7d23c450ee853ffd5ca65eb41e02fecd313fc6b39ab?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/348c293fbf1a0a36ce8ed7d23c450ee853ffd5ca65eb41e02fecd313fc6b39ab?s=96&d=mm&r=g","caption":"Classe1935"},"sameAs":["https:\/\/classe1935.com"]}]}},"_links":{"self":[{"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/posts\/3231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/comments?post=3231"}],"version-history":[{"count":1,"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/posts\/3231\/revisions"}],"predecessor-version":[{"id":3286,"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/posts\/3231\/revisions\/3286"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/media\/3415"}],"wp:attachment":[{"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/media?parent=3231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/categories?post=3231"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.classe1935.com\/en\/wp-json\/wp\/v2\/tags?post=3231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}